ENCHANTED APRIL in JULY
I recently read THE ENCHANTED APRIL by ELIZABETH VON ARNIM, a Penguin classic first published in 1922. It’s been a while since I read a Penguin classic and I found this delightful, full of wry humour and keen observations about love, longing, and how beauty in our surroundings can change our perspective, not only about ourselves, but how we feel about others, even those who are absent.
Four women, strangers to each other, escape a dreary London,
their mundane lives, a couple of husbands, to spend April in a castle on the
Italian Riviera. Once there, in the ‘simple happiness of complete harmony’, one
woman realizes it is ‘better to feel young somewhere rather than old everywhere’. They find their minds ‘becoming more luminous
in the clear light of April at San Salvatore’.
Another took off her goodness “like a heap of rain-sodden clothes, and
she only felt joy”.
Such is the writing, prose of that time, with much
head-hopping and an omniscient narrator, less common these days because both
writing and reading styles have changed.
One might argue these were women who tried to pursue independence but ultimately abandoned it. But you have to consider the era when this story takes place, and this is, most of all, a story where ‘Beauty made you love, and love made you beautiful’.
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Some of the writing and amusing observations in the book:
“You didn’t take your clothes to parties; they took you.
It was quite a mistake to think that a woman, a really well-dressed woman, wore
out her clothes; it was the clothes that wore out the woman – dragging her
about at all hours of the day and night. No wonder men stayed younger longer.
Just new trousers excite them.”
Isn’t it true that for some (many? long?) periods in our lives, women are a slave to their clothes. The endless fussing over What to wear and Does this look good on me and I’ve spent so much on this outfit I need to make it earn its keep. And oh holding on to those clothes because someday they just might fit you again. How much time and energy and mental space we give to our clothes. And men? Almost nothing. I was asking my sis-in-law the other day for a picture of the wedding they attended. But really, I didn’t want to see the bridal couple, I just wanted to see the bride because no one cares about what the groom wears (except perhaps his mother). I wish it wasn’t so, but clothes, even though they can be fun and make us feel fabulous, are also an endless source of frustration, expense, angst and discomfort. The bride’s dress was lovely. The groom wore a tux. Or a suit, or something…
“…if you have once thoroughly bored somebody it is next
to impossible to unbore him.”
True, isn’t it? Once you’ve sat beside someone at an event,
a captive audience to tedious droning about trivialities, and your mind has
been sufficiently numbed, wouldn’t you do anything to escape them again, giving
them no chance to redeem themselves into becoming unboring? Once you’ve
designated someone a bore, it sticks.
“Old friends … compare one constantly with what one used
to be. They are always doing it if one develops. They are surprised at
development. They hark back; they expect motionlessness after, say, fifty, to
the end of one’s days.”
Besides old friends, I suppose this is also true of family members, who expect you to be who you were. But old friendships and relationships also have an enduring solidity in them, a grounding that contributes to our sense of belonging, and the very best ones are happy when you evolve and change and grow. Also, this book was written in 1922, when fifty was OLD. No one is staying motionless after fifty (or sixty or more) these days. We’re trying and learning new things with a sense of freedom and confidence that you just don’t have before fifty because you haven’t lived long enough to acquire it.
“…goodness, the state of being good, was only reached
with difficulty and pain. It took a long time to get to it; in fact one never
did get to it, or, if for a flashing instant one did, it was only for a
flashing instant. Desperate perseverance was needed to struggle along its path,
and all the way was dotted with doubts.”
I wouldn’t know what it is to be a person who sacrifices
themselves to doing good deeds, because no one could ever accuse me of being a
Mother Teresa type. But I imagine it is difficult to keep sacrificing your own
needs daily for the sake of others. What am I saying? Mothers with dependent
children do that every day. And yes, there are ALWAYS doubts of whether
you’re doing the right thing or enough of the right thing. It’s a struggle. But
I no longer have dependents, and I do not aspire to do good deeds if they cause
me difficulty and pain. I’m all for comfort and ease. That goes for my choice
of clothes too.
And one final quote: “no one, however old and tough could
resist the effects of perfect beauty.”
And ultimately this is a book about the power of being
immersed in beauty and how it sparks something in us, changes us, makes us look
at our lives differently. We know that at a deep level, we understand that, and
that is why we are always seeking beauty.
I have never heard of this book but I MUST read it. Does it ever sound like my kind of read! Thanks so much, Pearl, I'm going to look it up right this second!
ReplyDeleteI'd heard of it a while back but hadn't read it (although I thought I had, I guess because the title was familiar after someone mentioned it to me.) But what REALLY surprised me while reading was the premise of four women, strangers, going on a vacation together, because that is the EXACT premise of one of the novels I've written. And I went...what?? Although of course, mine takes place in present day, not 1922.
ReplyDeleteI was so excited to see this post! I read this book in college, and my mom picked it up from me. I remember liking von Armin's books, but my mom LOVED them. Clearly it is time for a reread.
ReplyDeleteIt's so different from the contemporary novels of today, and yet the observations and behaviour, so similar. Lovely writing too and descriptions of setting.
DeleteThis sounds like a book I would have loved in my youth- I was very into classics back then, and fascinated by women's lives of this time period. Maybe I need to revisit this style of writing- I was just thinking that I'm getting a little tired of the multiple POV/multiple timeline books today. I feel like I spend half the book just trying to figure out what's going on. Can anyone just tell a simple story anymore???
ReplyDeleteYes, a very different style from today's writing. I find myself wanting to go back and read more of the classics again too.
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